The Book of Everything

Happiness begins with not being afraid anymore.

With the help of a free spirited neighbour, his rebellious sister and the Lord Jesus himself, Thomas finds the courage to rebel against his father’s strict religious regime.

Ineke Houtman's film tells a piece of historical life in a way that is reminiscent of successes such as Jojo Rabbit in terms of tone and thus takes the weight off the subject of domestic violence and oppression. The film is therefore suitable for both adults and young people and perhaps allows us to understand the world of our grandparents a little better.
It is also an insightful portrait of the post-WWII era, of religious narrow-mindedness, of traditional role models, which is countered here by an emerging feminism (and cheerfulness, music, joie de vivre) and a rebellion against the strict and often bigoted morals. Houtman finds light in what was so dark, making the film witty, playful and always lucidly well-intentioned.

THE BOOK OF EVERYTHING is a coming-of-age movie and, at the same time, a fairy tale about how a glimpse into other -  vilified – way of lives and sudden solidarity (among women) is sometimes all it takes to break the spell of cultural indoctrination––a universal and powerful parable.
The humor is so audacious and the psychological insight at times so startling that despite the hard topic of a childhood in post-war times in Europe you get an easy and familiar dose of comfort at the end.